WINGS Deluxe by Paul McCartney and Wings: The Definitive 1970s Rock Anthology Now on Black Friday Sale

WINGS Deluxe

Paul McCartney and Wings • Released: November 7, 2025 • Label: Capitol Records / UME

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WINGS Deluxe Overview: The Ultimate Anthology

Released on November 7, 2025, WINGS Deluxe represents the fifth major Paul McCartney compilation but the first to focus exclusively on Wings material, excluding both solo tracks and the Ram album despite its proximity to the band’s formation. This strategic decision creates a pure Wings experience, showcasing the band as a distinct entity separate from McCartney’s solo work and Beatles legacy.

The 32-track collection spans the band’s entire 1971-1979 output, drawing from all seven studio albums: Wild Life, Red Rose Speedway, Band on the Run, Venus and Mars, At the Speed of Sound, London Town, and Back to the Egg. Additionally, the compilation includes non-album singles like “Hi Hi Hi,” “Junior’s Farm,” and the career-defining “Mull of Kintyre,” which became one of the best-selling singles in British history.

What distinguishes WINGS Deluxe from previous compilations like 1978’s Wings Greatest or 2001’s Wingspan is McCartney’s personal involvement in the curation process. Rather than following a strictly chronological or commercial approach, the tracklist balances massive hits with album tracks that have found their way into McCartney’s recent live performances, plus deeper cuts that hardcore fans have long championed.

The compilation showcases Wings’ remarkable musical diversity, moving seamlessly from hard rock anthems to tender ballads, from reggae experiments to orchestral pop arrangements. This eclecticism reflected McCartney’s desire to prove himself beyond the Beatles’ shadow while exploring new sonic territories with a band he could shape from the ground up.

One particularly inspired inclusion is “Soily” from the 2024 One Hand Clapping Sessions, a superb McCartney rocker that never received a proper studio recording but captures the raw energy that characterized Wings at their most spontaneous.

McCartney’s Curation Philosophy

McCartney’s track selection reveals a thoughtful balance between commercial accessibility and artistic representation. While all the expected hits appear, including “Band on the Run,” “Jet,” “Silly Love Songs,” and “Live and Let Die,” the anthology also makes room for less obvious choices that illuminate different facets of Wings’ musical personality.

Tracks like “Get on the Right Thing” from Red Rose Speedway, “Some People Never Know” from Wild Life, and “Deliver Your Children” from London Town offer entry points for fans who know the hits but haven’t explored the albums deeply. These selections suggest McCartney wanted to present Wings as more than just a singles band, highlighting the album tracks that demonstrated their range and ambition.

The non-chronological sequencing creates dynamic listening experiences rather than a historical documentary approach. Disc One opens with the arena-ready “Band on the Run” rather than early material, immediately establishing Wings at their commercial and creative peak before exploring their full evolution.

However, some critics have noted questionable inclusions like “She’s My Baby” from Wings at the Speed of Sound, which many consider among the band’s weaker moments. These choices remind listeners that even McCartney’s curation reflects personal attachments that may not align with consensus critical opinion.

Available Formats and Special Features

WINGS Deluxe arrives in multiple configurations designed to appeal to different collector levels and budgets. The 3LP vinyl edition, available in both limited edition colored vinyl and standard black, comes housed in an attractive box with die-cut cover artwork. The package includes a 32-page booklet, poster, art print, and Wings stickers, making it a premium collector’s item.

The 2CD deluxe edition includes the same 32-page booklet and a poster, offering the complete experience in a more compact format. For casual fans, single LP and CD versions containing 12 carefully selected tracks provide an affordable entry point to Wings’ catalog.

A particularly exciting format is the McCartney and SuperDeluxeEdition exclusive Blu-ray audio disc featuring Dolby Atmos mixes by Giles Martin and Steve Orchard. This marks the first time Wings songs appear on physical media in Dolby Atmos, with 17 tracks receiving their debut in this immersive audio format. The spatial audio presentation brings new life to classics, allowing listeners to hear instrumental details and backing vocals previously buried in stereo mixes.

The expanded booklet features an introduction from McCartney himself, plus extensive album-by-album notes on the iconic Hipgnosis artwork written by Aubrey “Po” Powell, who designed seven Wings albums including Band on the Run and Venus and Mars. Additional editorial by music journalist Pete Paphides and original portraits by Humphrey Ocean, who served as Wings’ artist in residence during their 1976 tour, provide historical context and visual documentation of the band’s evolution.

Technical specifications reveal that nothing has been newly remastered specifically for this release. Instead, the compilation utilizes remasters created between 2010 and 2022 for previous archive releases, maintaining consistency with McCartney’s recent catalog work while ensuring the highest quality audio available.

The Wings Story: From Beatles Breakup to 1970s Dominance

Understanding WINGS Deluxe requires understanding how Wings emerged from the most traumatic period of Paul McCartney’s professional life. When the Beatles officially dissolved in 1970, McCartney found himself adrift, having lost not only his collaborative partners but his entire creative identity built over a decade of unprecedented success.

McCartney released his self-titled solo debut in April 1970, recording every instrument himself at home in a deliberate statement of independence. The follow-up, Ram, arrived in May 1971 as a collaboration with his wife Linda, further emphasizing his desire to work outside traditional band structures while maintaining creative control.

Yet McCartney missed the camaraderie and creative spark that came from being in a band. The solution was Wings, announced to the media on August 2, 1971, with a lineup featuring Linda on keyboards and backing vocals, former Moody Blues guitarist Denny Laine, and session drummer Denny Seiwell who had played on Ram.

The band’s name came to McCartney during a moment of intense prayer at King’s College Hospital in London on September 13, 1971, as Linda gave birth to their daughter Stella. Complications during delivery put both mother and baby’s lives in danger, and McCartney later recalled that the image of wings came to him as he prayed fervently, evoking themes of protection, flight, and liberation from his Beatles past.

This emotional origin story set the tone for Wings as McCartney’s vehicle for both personal healing and artistic rebirth, a band that would allow him to reclaim his passion for live performance while exploring new musical directions without the weight of Beatles comparisons at every turn.

Formation and Early Years (1971-1973)

Wings recorded their debut album Wild Life in just eight days during July and August 1971 at Abbey Road Studios. McCartney deliberately pursued a raw, spontaneous approach, recording many tracks in first takes to capture live energy rather than the meticulous production that characterized late-period Beatles albums. The result, released December 7, 1971, received predominantly negative reviews and underwhelming sales compared to McCartney’s previous work.

Critics and fans alike viewed Wild Life as amateurish, particularly citing Linda McCartney’s limited musical proficiency as a foundational weakness. Paul himself later acknowledged they “were terrible” technically at the outset, but he valued the organic, unpretentious approach over polished virtuosity. This period tested his resolve as he faced harsh comparisons to the sophisticated work his former bandmates were producing.

In early 1972, Wings added guitarist Henry McCullough to the lineup and embarked on an impromptu tour of UK universities, driving around in a van and playing small venues. Crucially, they performed no Beatles songs, determined to establish Wings as a new band with its own identity rather than a McCartney nostalgia vehicle. This democratic approach extended to avoiding hotels in favor of staying with fans and showing up unannounced at venues.

The band’s second album, Red Rose Speedway, arrived in 1973 and marked a commercial breakthrough. The single “My Love” reached number one in the United States, finally giving Wings their first major hit and proving the band could compete in the contemporary rock marketplace. Later that year, Wings released “Live and Let Die,” the theme to the James Bond film, reuniting McCartney with Beatles producer George Martin for an orchestral rock spectacle that became a worldwide hit.

However, tensions within the band led to departures. Following the recording sessions for their next album, both McCullough and Seiwell resigned, leaving Wings temporarily reduced to its core trio of Paul, Linda, and Laine. This moment could have ended Wings entirely, but instead it led to their greatest triumph.

Peak Success and Lineup Changes (1973-1978)

The trimmed-down lineup headed to Lagos, Nigeria in August 1973 to record Band on the Run under challenging circumstances, including equipment theft and local tensions. The album, released December 1973, became Wings’ critical and commercial breakthrough, reaching number one in both the US and UK. Critics who had dismissed McCartney as lightweight finally recognized his continued songwriting brilliance, with the title track and “Jet” becoming enduring rock radio staples.

Band on the Run sold over six million copies and significantly restored McCartney’s post-Beatles reputation, proving he could create ambitious, sophisticated rock albums without Lennon, Harrison, or Starr. The album’s success positioned Wings as one of rock’s premier acts rather than merely an ex-Beatle’s backup band.

Wings expanded again with guitarist Jimmy McCulloch and drummer Geoff Britton in 1974, though Britton lasted only months before being replaced by Joe English. This lineup recorded Venus and Mars (1975), which reached number one and spawned the hit “Listen to What the Man Said,” followed by Wings at the Speed of Sound (1976), which topped charts on the strength of “Silly Love Songs” and “Let ‘Em In.”

The 1975-1976 Wings Over America tour represented McCartney’s first U.S. concerts since the Beatles’ final tour in 1966. Playing to sold-out arenas and finally incorporating Beatles songs into the setlist, Wings demonstrated they had become stadium-filling superstars. The triple live album documenting the tour became the band’s fifth consecutive number one album in America.

In 1977, Wings released “Mull of Kintyre,” a Celtic-flavored ballad that became their only UK number one single and one of the best-selling British singles of all time, eventually surpassing even Beatles sales records in the UK. However, the lineup shuffled again as both McCulloch and English departed before the release of London Town (1978).

The final Wings lineup featured guitarists Laurence Juber and drummer Steve Holley alongside the core trio. Their album Back to the Egg (1979) underperformed critically and commercially, marking a decline after years of consistent success. During the subsequent tour, McCartney was arrested in Japan for cannabis possession, leading to concert cancellations and effectively putting Wings on hold.

Despite a final US number one with a live version of “Coming Up” in 1980, Wings officially disbanded in 1981 after Denny Laine’s departure, closing a remarkable decade in which they had accumulated 12 top-10 UK singles, 14 top-10 US singles, six Billboard number ones, and millions of albums sold worldwide.

Track-by-Track Analysis of WINGS Deluxe

The 32-track collection strategically sequences Wings’ output to create compelling listening experiences rather than following chronological order. This approach allows the compilation to flow dynamically, juxtaposing different eras and styles to highlight the band’s versatility while maintaining momentum across both discs.

The tracklist demonstrates McCartney’s awareness of pacing, opening with immediate grabbers before exploring deeper textures, then building toward climactic moments. While some selections puzzle critics, the overall arc successfully represents Wings’ scope from raw rockers to sophisticated pop craftsmanship.

Disc One: Essential Hits and Deep Cuts

1. “Band on the Run” (2010 Remaster) – 5:13

Opening with Wings’ most celebrated achievement sets an immediate standard. This multi-section epic moves from acoustic introspection to driving rock to triumphant release, showcasing McCartney’s compositional ambition and the stripped-down trio’s ability to create massive sounds. The 2010 remaster enhances clarity while preserving the warm analog character of the original production.

2. “Hi, Hi, Hi” (2018 Remaster) – 3:10

This 1972 non-album single brought early controversy when the BBC banned it for perceived drug references and sexual innuendo. Its raw, garage-rock energy and insistent riff demonstrate Wings’ harder edge, with McCartney’s raspy vocal delivery showing his rock and roll roots. The song’s rebellious spirit contrasted sharply with his Beatles nice-guy image.

3. “Silly Love Songs” – 5:54

McCartney’s response to critics who dismissed his post-Beatles work as lightweight became Wings’ biggest US hit. The disco-influenced bassline, layered harmonies, and unabashedly romantic lyrics proved that “silly love songs” could dominate charts while delivering sophisticated musicianship. Linda’s backing vocals shine particularly bright on this track.

4. “Letting Go” – 4:33

From Venus and Mars, this soul-influenced rocker demonstrates Wings’ exploration of funk and R&B elements. The extended instrumental sections and horn arrangements show the band’s willingness to stretch beyond conventional pop-rock structures into more groove-oriented territory.

5. “Nineteen Hundred and Eighty Five” (2010 Remaster) – 5:30

Band on the Run’s closing track builds from delicate piano intro to full-blown rock climax, featuring one of McCartney’s most intricate arrangements. The song’s futuristic title and sprawling structure suggested Wings could match the Beatles’ ambition when McCartney fully committed to complex compositions.

6. “Live and Let Die” (2018 Remaster) – 3:13

George Martin’s orchestral arrangement elevated this James Bond theme into an epic that remains a concert highlight. The dramatic dynamics, from quiet verse to explosive chorus with full orchestra and rock band, demonstrated McCartney’s ability to write for cinema while maintaining rock credibility. The song earned an Oscar nomination and became one of Wings’ signature pieces.

7. “Mamunia” (2010 Remaster) – 4:52

This Band on the Run deep cut features Arabic-influenced melodies and reflective lyrics inspired by a Moroccan hotel. While some find it meandering, others appreciate its atmospheric qualities and McCartney’s melodic inventiveness outside Western pop conventions.

8. “Junior’s Farm” (2014 Remaster) – 4:22

Recorded in Nashville with session legends Chet Atkins and Floyd Cramer, this 1974 single rocks harder than much of Wings’ output, with McCulloch’s guitar work adding edge. The song’s rural imagery and driving rhythm section showcase Wings’ country-rock capabilities, both sides of the single reaching the US Top 20 separately.

9. “Helen Wheels” (2022 Remaster) – 3:46

Named after one of McCartney’s Land Rovers, this road song originally appeared only on the US version of Band on the Run. Its driving rhythm and geographical name-checking of British locations as McCartney drives from Scotland to London creates a vivid travelogue set to a propulsive rock arrangement.

10. “Some People Never Know” (2018 Remaster) – 6:38

The longest track on disc one, this Wild Life album cut features extended instrumental passages and jazz-influenced improvisations. While critics initially dismissed it as unfocused, revisiting reveals Wings exploring loose, jam-oriented structures that contrasted with the tight arrangements dominating early 1970s rock.

11. “Let ‘Em In” – 5:10

This gentle, reggae-tinged pop song became a huge hit, reaching number three in the US. The call-and-response structure listing various visitors at the door, including “Brother John” and “Auntie Gin,” creates a warm, inclusive atmosphere. Linda’s keyboards and harmonies particularly enhance the laid-back groove.

12. “Get on the Right Thing” (2018 Remaster) – 4:18

A hidden gem from Red Rose Speedway, this track features verses that build tension like a coiled spring before popping into an exuberant chorus. The contrast between restrained verses and explosive releases demonstrates Wings’ dynamic range and McCartney’s understanding of tension and release in song construction.

13. “Jet” (2010 Remaster) – 4:08

One of Wings’ most enduring rockers, “Jet” features a massive guitar riff, explosive energy, and mysterious lyrics (reportedly about a black Labrador puppy). The song’s raw power and anthemic chorus made it a rock radio staple, proving McCartney could still write hard-hitting rock when he wanted to unleash his inner rocker.

14. “My Love” (2018 Remaster) – 4:09

Wings’ first number one single showcases McCartney’s gift for romantic ballads. Henry McCullough’s soaring guitar solo became legendary, and the song’s lush orchestration demonstrates the sophistication that would characterize Wings’ more ambitious productions. Linda receives co-writing credit and delivers heartfelt backing vocals.

15. “Call Me Back Again” – 4:59

From Venus and Mars, this soulful rocker demonstrates Wings’ R&B influences with prominent horn sections and a driving rhythm. The song’s intensity and McCartney’s passionate vocal performance show the emotional depth he could bring to uptempo material beyond his reputation for light pop.

Musical Diversity on Display

1. “Getting Closer” (2022 Remaster) – 3:24

From Back to the Egg, this new wave-influenced rocker shows Wings adapting to late-1970s trends. The tighter production and more contemporary sound demonstrated the band’s willingness to evolve, though the album’s overall reception remained lukewarm despite strong individual tracks.

2. “Listen to What the Man Said” – 4:03

This breezy Venus and Mars single reached number one in the US, featuring Tom Scott’s saxophone and a laid-back California sound. The song’s smooth production and optimistic message exemplified the mid-1970s soft rock aesthetic that Wings helped define, even as punk rock emerged to challenge such approaches.

3. “I’ve Had Enough” (2022 Remaster) – 3:05

A more aggressive London Town track demonstrates McCartney’s ability to channel frustration and edge into his songwriting. The harder rock arrangement and biting lyrics show Wings could bite when necessary, even during their polished late-1970s phase.

4. “Love Is Strange” (2018 Remaster) – 4:51

Wings’ reggae-influenced cover of Mickey and Sylvia’s 1957 hit appeared on Wild Life, showcasing the band’s experimental early approach. While some found it indulgent, others appreciated Wings’ willingness to reinterpret classic material through different stylistic lenses, foreshadowing their continued genre exploration.

5. “London Town” (2022 Remaster) – 4:11

The title track from Wings’ 1978 album features introspective lyrics about life in London and a maritime-influenced arrangement. The song’s wistful quality and sophisticated production demonstrate McCartney’s continued growth as a composer willing to explore more personal, less commercial territory.

6. “Arrow Through Me” – 3:38

This disco-influenced Back to the Egg track shows Wings experimenting with contemporary dance rhythms. While purists criticized the move toward disco, the song’s tight groove and McCartney’s falsetto vocal passages demonstrate his willingness to adapt to changing musical landscapes without abandoning melodic craft.

7. “Venus and Mars / Rock Show” (2014 Remaster) – 3:46

This medley opening Venus and Mars creates an epic concert atmosphere, with the quiet “Venus and Mars” intro building into the explosive “Rock Show.” The sequence captures Wings’ ability to create dramatic album moments and their understanding of rock spectacle, particularly as they prepared for massive arena tours.

8. “She’s My Baby” – 3:08

From Wings at the Speed of Sound, this track remains controversial among fans and critics. While some question its inclusion as one of the weaker Wings moments, others appreciate its straightforward rock energy. The song exemplifies McCartney’s sometimes uneven quality control when allowing all band members featured vocals on albums.

9. “Bluebird” (2010 Remaster) – 3:23

This Band on the Run track showcases Wings’ folk-rock capabilities with acoustic guitars and harmony vocals. The song’s gentle melody and pastoral imagery demonstrate the softer side of Wings’ musical personality, balancing their harder rockers with moments of delicate beauty.

10. “Deliver Your Children” (2022 Remaster) – 4:19

A deeper London Town cut featuring Denny Laine on lead vocals, this track demonstrates that Wings was more than just McCartney’s vehicle. The song’s reggae influences and social consciousness lyrics show the band’s continued exploration of Caribbean rhythms and progressive themes.

11. “Let Me Roll It” (2010 Remaster) – 4:50

Band on the Run’s bluesy, echo-drenched rocker features one of McCartney’s most Lennon-esque vocals and guitar tones. Whether intended as homage or coincidence, the song’s raw power and sustained groove demonstrate Wings’ ability to create hypnotic, riff-based rock that could stand alongside any contemporary hard rock band.

12. “Mull of Kintyre” – 4:44

Wings’ only UK number one single became one of the best-selling British singles ever, featuring bagpipes and Celtic imagery celebrating the Scottish peninsula where McCartney owned a farm. The song’s folk simplicity and regional pride resonated deeply with British audiences, though it performed less spectacularly in America where the cultural references carried less weight.

13. “Wild Life” (2018 Remaster) – 6:40

The title track from Wings’ debut album represents their loosest, most jam-oriented approach. Its extended runtime and improvisational feel divided opinion, with critics hearing either refreshing spontaneity or lack of discipline. The environmental lyrics and basic structure capture Wings’ earliest identity before commercial pressures shaped their sound.

14. “C Moon” (2018 Remaster) – 4:35

This reggae-influenced single from 1972 demonstrates Wings’ early fascination with Jamaican rhythms. The playful lyrics and offbeat rhythms show McCartney’s willingness to experiment with genres outside rock’s mainstream, anticipating the broader genre experimentation that would characterize 1970s popular music.

15. “With a Little Luck” (Remastered 2018) – 5:47

London Town’s biggest hit features lush synthesizer work and an optimistic message about love conquering obstacles. The song reached number one in the US, proving Wings’ continued commercial viability even as musical trends shifted toward punk and new wave. The extended arrangement and layered production exemplify Wings’ sophisticated late-period approach.

16. “Soily” (One Hand Clapping Sessions / Remastered 2024) – 3:55

This inspired inclusion from the 2024 One Hand Clapping Sessions release showcases a superb McCartney rocker that never received proper studio treatment. The song’s raw energy and memorable riff demonstrate Wings’ power as a live unit, capturing the spontaneous magic that studio perfectionism sometimes diluted.

17. “Goodnight Tonight” (Single Version) – 4:22

This 1979 disco-influenced single reached number five in both the UK and US, demonstrating Wings’ ability to adapt to late-1970s dance trends. The falsetto vocals, four-on-the-floor beat, and string arrangements show McCartney embracing disco at its commercial peak, proving he could work contemporary styles without sacrificing melodic sensibility.

Critical Reception and Legacy

WINGS Deluxe received generally positive reviews upon release, with critics praising its comprehensive scope while noting some questionable track selections. AllMusic critic Tim Sendra called it the best Wings compilation to date, stating it “does the best job of capturing all aspects of the band’s career” compared to previous anthologies.

Goldmine Magazine described the collection as both “an excellent primer” and a “primo package,” highlighting the quality packaging and thoughtful curation. The inclusion of deeper cuts alongside hits was widely praised for providing a fuller picture of Wings’ artistic range beyond their radio presence.

However, some reviewers questioned specific choices and the non-chronological sequencing. One critic called it “truly bizarre,” arguing it lacked structure or narrative flow and seemed randomly assembled despite including all the expected hits. The inclusion of tracks like “She’s My Baby” puzzled those who felt more deserving material was omitted.

The Dolby Atmos Blu-ray audio edition received particular acclaim from audiophiles and McCartney collectors. The spatial mixes by Giles Martin and Steve Orchard brought new life to familiar songs, with tracks like “Get on the Right Thing” standing out for how the immersive format highlighted previously buried instrumental details and backing vocal arrangements.

Contemporary Reviews of WINGS Deluxe

Professional critics generally praised the compilation’s breadth while acknowledging it faces comparison to previous Wings collections. The consensus suggested that while earlier compilations served their purposes, WINGS Deluxe’s focus on pure Wings material without solo tracks creates a more cohesive band portrait.

The premium packaging received universal praise, with reviewers highlighting the 32-page booklet’s extensive historical documentation, Aubrey Powell’s artwork notes, and Humphrey Ocean’s portraits as valuable additions for serious collectors. The multiple format options also garnered positive mentions for serving different audience segments from casual fans to audiophile collectors.

Some criticism focused on what the compilation represents philosophically. A few reviewers suggested it felt like another attempt to repackage the same hits in slightly different configurations, questioning whether the world needed yet another Wings retrospective when most fans already own these songs in various formats.

The Black Friday timing of the compilation’s release during Amazon’s major sale event positioned it as a perfect gift for classic rock fans or entry point for younger listeners discovering Wings through streaming platforms. Critics noted this strategic timing could introduce Wings to new generations while satisfying longtime fans’ desire for premium physical products.

Wings’ Enduring Impact on Rock Music

Wings’ legacy extends far beyond their commercial success, influencing how rock musicians approached post-breakup careers and band dynamics. McCartney proved that former Beatles could create substantial new bodies of work rather than coasting on past glories, setting a template that other legendary musicians would follow.

The band’s musical eclecticism anticipated the genre-blending that would become standard in rock music. By incorporating reggae, disco, folk, hard rock, and pop into a cohesive catalog, Wings demonstrated that mainstream rock bands didn’t need to restrict themselves to narrow stylistic lanes. This openness influenced countless artists who felt empowered to experiment across genres.

Wings’ approach to lineup changes, while often criticized, showed remarkable resilience. Rather than ending when members departed, the band rebuilt around its core trio, demonstrating that continuity could coexist with evolution. This flexibility allowed Wings to survive personnel challenges that might have killed other bands.

The Wings stadium tours helped establish the template for massive rock spectacles that dominated the 1970s and beyond. By incorporating elaborate staging, pyrotechnics, and visual elements alongside the music, Wings contributed to rock concert evolution from intimate club performances to arena experiences that merged music with theatrical production.

Critically, Wings helped legitimize the idea that rock musicians could maintain artistic credibility while achieving massive commercial success. In an era when punk rock championed anti-commercial attitudes, Wings proved that sophisticated songcraft and mainstream appeal could coexist, influencing power pop and mainstream rock bands who rejected the false choice between commerce and artistry.

The compilation format itself, with WINGS Deluxe representing the fifth major McCartney/Wings retrospective, demonstrates the enduring market for this material. Unlike some classic rock catalogs that fade into historical artifact status, Wings’ music continues finding new audiences through streaming, film and television placements, and reissues like this one.

Songs like “Band on the Run,” “Live and Let Die,” and “Silly Love Songs” remain rock radio staples decades after their release, with younger musicians citing Wings as influences alongside the Beatles. This transgenerational appeal suggests Wings’ best material transcends nostalgia, offering melodic and production lessons that remain relevant to contemporary songwriters.

Production Credits and Album Personnel

Core Wings Members:

Paul McCartney – Lead vocals, bass, guitars, piano, keyboards, drums

Linda McCartney – Keyboards, piano, percussion, backing vocals

Denny Laine – Guitars, bass, piano, harmonica, lead and backing vocals

Additional Wings Members (Various Periods):

Denny Seiwell – Drums, percussion, trumpet (1971-1973)

Henry McCullough – Guitar, backing vocals, percussion (1972-1973)

Jimmy McCulloch – Guitar, lead and backing vocals, bass (1974-1977)

Geoff Britton – Drums (1974)

Joe English – Drums, backing vocals (1975-1977)

Laurence Juber – Guitar (1978-1981)

Steve Holley – Drums, percussion (1978-1981)

WINGS Deluxe Production Team:

Paul McCartney – Curation and oversight

Giles Martin & Steve Orchard – Dolby Atmos mixing (Blu-ray edition)

Aubrey “Po” Powell (Hipgnosis) – Artwork design and notes

Pete Paphides – Additional editorial

Humphrey Ocean – Original portraits

Recording Details:

Original Recording Period: 1971-1979

Remastering Period: 2010-2024 (various remasters compiled)

Label: Capitol Records / UME

Released: November 7, 2025

Formats: 3LP (colored & black vinyl), 2CD, single LP, single CD, Blu-ray audio

Frequently Asked Questions About WINGS Deluxe